New Things

New things! One is the start of a new series of illustrations I'm working on concerning antique books and flowers (that I'm reallllly excited about), the other is my first plein air piece here in San Diego (that I'm also really excited about. I get excited about art, what can I say).

The illustration is available in a limited edition print, & there's more on the way. Click the photo to go to my online shop.

 

Prints!

So it's years overdue, but I've finally got the proper camera to clearly photograph my work - so this means, prints! I'm especially thrilled because now I can share with you my favorite paintings I've done. Click either of them to pick up the print in my online shop.

"Other People's Lives" Click the photo to grab the print!

"Other People's Lives" Click the photo to grab the print!

"Mind vs Mouth" Click the photo to grab the print!

"Mind vs Mouth" Click the photo to grab the print!

Brokenly Live On

Brokenly Live On Cover.jpg
 

So I don't think I ever announced it here, but apart from my work as an artist I found the time to write a book. And by found the time I mean I rarely slept over the course of the past seven years it took to write, polish, and manage all the aspects of its printing from cover design and painting to overall layout. Easily the most labor intensive thing I've done in my life to date. If you're at all curious, you can learn more about it here. This is the cover illustration I did, sans text, and reading the story brings more depth of meaning to the painting. I hope you'll give it a look and a read. It's a good one for winter - just sayin.

Finally, West

So I've been back in California a few months but I feel like I've just gotten here as I'm only now finding time to create. Finally being able to get this painting onto canvas after thinking about it for a year and a half has been a relief. You can find this in my online shop here.

Super excited because I'm moving into a new, big studio next week! Cannot wait to stretch out and start moving on some new pieces. Also, don't forget to check out my last post if you're interested in some art as gifts this upcoming holiday season. I've found a way to offer prints (!!!) and I'll soon be opening my books up for commissions. (Yes, I know it's early to start thinking about it, but art takes time.)

Prints & Commissions

Click here to check out all the new prints available in my shop.

Click here to check out all the new prints available in my shop.

Finally, I've found a way to offer prints! Check them out in my online store and be sure to let me know if there are any pieces you'd like to see in a print run. (On that note, I am working on getting high quality scans of my oil paintings to offer as prints, hopefully before the holiday season.) Also, there you'll find super limited edition runs of this year's Inktober pieces.

Commissions - I know it's early but art takes time. If you're thinking of giving the gift of art this year drop me a line or check out my listings available in my shop. Also, be sure to follow my Instagram for info and updates.

Inktober 2017

Trying to see it through the whole 30 days of inktober this time around. Here's the last week - didn't mean to, but I think I've hit on a theme here. Let's see where it goes?

If you want to follow along with my daily drawings, my Instagram is where it's at. (Where's day one you ask? Good question. You'll have to get to my Instagram to see the time lapse of it. It's a bit NSFW)

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Patience is a virtue (that's really hard to abide by when all you want to be doing is painting)

Sometimes it takes a bit of letting go. What I mean is, painting is what I'd like to be doing just about every second of my life, but sometimes you have to let life have its way with you. It's been insanely (and I mean, absolutely crazy) eventful and busy since we've gotten back to California a few months ago, and I'm just now starting to hit my stride with balancing everything. Which means being able to carve out more and more time for painting. Thank everything. You can follow me on Instagram (which I promise won't be so quiet from here on out) if you want to keep up with my new pieces.  Here's a little progress shot of some fresh studio work.

California, take two.

 

It's been about seven years but I'm back in California and I'm pretty stoked about it. Sorry for the silence, the move was a three month long odyssey. So anyway, here's some new work.

I'll be unpacking the box of my paintings this week and deciding which ones I'm ready to let go of - you'll be able to find them in my online shop (click here). I've also added quite a few of the drawings from my Brando eyes series into the shop. Click any image below to purchase.

 

"I keep coming back" Ink & watercolor on paper, 2017.

"I keep coming back" Ink & watercolor on paper, 2017.

#8. Click image to purchase.

#8. Click image to purchase.

#10. Click image to purchase.

#10. Click image to purchase.

#12. Click image to purchase.

#12. Click image to purchase.

#13. Click image to purchase.

#13. Click image to purchase.

#14. Click image to purchase.

#14. Click image to purchase.

#1. Click image to purchase.

#1. Click image to purchase.

Back to Brando

Been about a year since I was totally bent on Brando's intense gaze. High time I got back to it.

 

 

 

To see more in this series begun last year, click here and scroll down (there's quite a few). I plan on arranging these into a gallery wall in the next few months. Check back for that.

Under the Influence

"Under the Influence" Oil pastel on toned paper. 2017.

"Under the Influence" Oil pastel on toned paper. 2017.

 

One of the artists I adore the most is having an exhibit open this week at the Chrysler Museum, so of course that got me in the mood for a drawing. Under the influence of Toulouse-Lautrec. 

No. 2

No. 2 - acrylic on canvas. 

No. 2 - acrylic on canvas. 

There's just something about wheatpaste graffiti in a foreign city that I've always gravitated to. I especially love seeing the decline of these pieces and catching them in a final stage of their lives. This is the second piece in my "Death of Art" series where I document deteriorating graffiti that I think are almost more powerful having been acted upon by exterior forces. Street art seems to be the best and most honest reflection of our modern selves (in my opinion) and I like to record their mature portraits.

Two Thousand & Seventeen

It's always a good thing when the first piece you finish in a new year turns out to be something you absolutely love.

What I really enjoy about this series is that truly the most risqué part of it is your own thoughts. I give the suggestion, but your imagination has to do so much of the work. It can be as daring or tame as your thoughts allow. On the surface, it's just botanicals and abstract line work, but if you take the time to really look, you get a sense of what's going on, and if you take the time to become immersed, you create the story.

"Silk Stockings" Watercolor, charcoal & ink on paper. 2017.

"Silk Stockings" Watercolor, charcoal & ink on paper. 2017.

Back to the Wild

After a summer so hot there was really no way for me to get out and paint (I salute you who did, you're nuts) I'm finally able to start my plein air work again. Starting small with a little wildflower patch at the Norfolk Botanical Garden.

"Wild" oil on canvas panel, 2016.

"Wild" oil on canvas panel, 2016.

Mahalo

This series took a turn out of the meadows and into the tropical. Just in time for fall (my brain makes decisions even I don't understand.) P.s. Have I ever talked about how much I loathe photographing my work? In case I didn't, its my least favorite thing of anything ever... ever.

"Mahalo" Watercolor and ink on watercolor paper. 2016.

"Mahalo" Watercolor and ink on watercolor paper. 2016.

Sometimes I Open My Sketchbooks

& I turn up a bunch of work I guess I'd been hoarding, tucked away in all sorts of places. Finally decided to let go and put them into my shop. Here are two pieces recently added. Click here to see more.

Hawaiian Garden. Mixed media watercolor and Conté Crayon.

Hawaiian Garden. Mixed media watercolor and Conté Crayon.

Flowers in a Conservatory. Mixed media graphite and marker.

Flowers in a Conservatory. Mixed media graphite and marker.

Vietato

 

Italy has a strong, well documented history of graffiti (my personal favorites being what can be found in ancient bath houses), and when I was last in Rome I guess I was really diggin' what all the modern artists had to say. I keep looking back to my time in Italy for inspiration and in doing so came across an entire stash of photos of Roman graffiti circa 2010. This one that I chose to paint, I just have so many questions. For starters, what the hell is happening here? Did the person who ripped it down dislike it simply because it was graffiti or because of the message? Who was the artist? What are those little flying heads all about? Guess I'll never know, but at least now I have a piece of a Roman wall hanging on my wall covered in another artists handiwork and that's enough for me.