"Turner-esque Nocturne" Digital Painting by Lauren Elyse S. 2018.
I don't remember the first time I saw Turner's abstract atmospheric paintings, but I do remember how they made me feel. It was like a lightening bolt - they woke me up. The energy in them is insane. I particularly love Nocturne Black and Gold: the Falling Rocket, and Fishermen at Sea. My worship of a stormy sea rolls deep, and so here is a little digital painting in the vein of Turner.
Some new digital work happening now that I was able to get Procreate back into my process. What a relief, it's such an amazing asset to have for working on the fly, for figuring out new ideas, or just practicing techniques. It's so important to my work flow that I'm really going to be able to kick it into overdrive now, and I could not be happier.
"Heatwave" - digital illustration 2018. Lauren Elyse S. For limited edition prints, click here.
"Cat" - digital drawing 2018. Lauren Elyse S. To commission a portrait drawing, click here.
True story. Well, actually, it's an historical fiction, but it is indeed true that I published a novel, and it's currently free to download in Kindle format this week. So if you're at all curious, click the cover to the right (which I also designed and painted) to grab it. Truly hope you enjoy and would love to hear your thoughts if you do give it a read.
San Diego waterfall plein air, oil on wood canvas, 2018.
A little plein air piece from a few weeks ago up at the San Diego botanical gardens. They have a really energetic and moody waterfall tucked in the hillside whose course and chatter I'm sure I wouldn't tire of even if I sat by it for days and weeks on end.
I'm currently in my studio wrapping up a piece from my main series of work, and although it's been stop and go for me over the past few months I'm looking to remedy that this week. Excited about it!
"Nocturnal Animals" acrylic, oil & brush pen on linen canvas panel, 2018.
New thoughts, figuring out new ways of deconstructing compositions and layering that leads to an impossible to photograph painting = another day in the office.
Plein air oil on canvas, 2018.
There's just something about the rocky coastlines here in California that draw me in, and they're either wonderfully caricatured or frustratingly impossible. This one started out the later but I tamed it to the former. A little cove down the street from my house - my favorite spot to tuck away on sunny days.
For a long time with my art I was concerned with subject matter. I didn't know what I wanted to paint, and over the years I've honed in on what I like: nature, mostly, architecture, and people, sometimes, but not in an academic realism sense. As you can see in my abstract limbs series I focus on representations of people and their suggested actions, asking you to look long enough to decode its imagery. Now I've come to the point where I know what I like to paint and I'm trying to push myself in technique. I've recognized I own a duality that, on the one side, causes me to obsess over accuracy, and on the other, an emotive side that wants things looser and more gestural. With each piece I've been working on lately I've been focusing on getting the grander image accurate and the details more instinctual. Trusting your gut is a terrifying business. Refining these two forces that pull in opposite directions is what I'll be working on this year, and here are a few of the pieces that have come of it so far.
"Camerieri in pausa fumo"
Gouache on paper.
"When the Campaign is Won" acrylic on paper.
Meet the Hedonists. Watercolor on paper, 2017.
Sometimes a commission comes my way by request of a passionate art collector who offers me the freedom to really stretch out and push the themes I've been working in - these are the types of requests I live for. I was asked for a mother daughter portrait in a dreamy format incorporating the abstract florals I've been using in my watercolor and limbs series (I've yet to come up with a name for this series. Working on it.) This watercolor portrait is the result and I couldn't be happier with it. If you're at all curious to see the stages of this painting I've been trying to update more progress shots of my work on my Instagram account. Click here to see.
"Not So Secret Spot" oil on canvas panel, 2017. SOLD.
"Balboa Park Arch" oil on wood canvas, 2017.
It's been a while since I've had the time to dedicate to a lush piece. This one is titled "Natural State" & includes botanicals I chose because they're some of my favorites as opposed to their meaning - which is normally the way I compose these paintings.
In case you were curious:
monstera leaf, blue bird of paradise, zygopetalum orchid, winterberry, kiwi vine, clock vine, chocolate cosmos, foxglove, rubber plant, lunaria, fern curls, blue Himalayan poppy, maiden hair fern.
You can grab the original or a print of this by clicking here.
New paintings of old things, actually. Historic books and buildings, all the places my mind likes to tuck itself away.
So it's years overdue, but I've finally got the proper camera to clearly photograph my work - so this means, prints! I'm especially thrilled because now I can share with you my favorite paintings I've done. Click either of them to pick up the print in my online shop.
"Other People's Lives" Click the photo to grab the print!
"Mind vs Mouth" Click the photo to grab the print!
So I don't think I ever announced it here, but apart from my work as an artist I found the time to write a book. And by found the time I mean I rarely slept over the course of the past seven years it took to write, research (endlessly, exhaustively research) polish, and manage all the aspects of its printing from cover design and painting to overall layout. Easily the most labor intensive thing I've done in my life to date. If you're at all curious, you can learn more about it here. This is the cover illustration I did, sans text, and reading the story brings more depth of meaning to the painting. I hope you'll give it a look and a read. It's a good one for winter - just sayin.
So I've been back in California a few months but I feel like I've just gotten here as I'm only now finding time to create. Finally being able to get this painting onto canvas after thinking about it for a year and a half has been a relief.
"Two Ends of the Sea" Acrylic and oil on canvas panel, 2017.
Back to this. More coming this winter as I force myself into hibernation (my preferred state of being, to be honest.)
Trying to see it through the whole 30 days of inktober this time around. Here's the last week - didn't mean to, but I think I've hit on a theme here. Let's see where it goes?
If you want to follow along with my daily drawings, my Instagram is where it's at. (Where's day one you ask? Good question. You'll have to get to my Instagram to see the time lapse of it. It's a bit NSFW)
Sometimes it takes a bit of letting go. What I mean is, painting is what I'd like to be doing just about every second of my life, but sometimes you have to let life have its way with you. It's been insanely (and I mean, absolutely crazy) eventful and busy since we've gotten back to California a few months ago, and I'm just now starting to hit my stride with balancing everything. Which means being able to carve out more and more time for painting. Thank everything. You can follow me on Instagram (which I promise won't be so quiet from here on out) if you want to keep up with my new pieces. Here's a little progress shot of some fresh studio work.
It's been about seven years but I'm back in California and I'm pretty stoked about it. Sorry for the silence, the move was a three month long odyssey. So anyway, here's some new work.
"I keep coming back" Ink & watercolor on paper, 2017.
Been about a year since I was totally bent on Brando's intense gaze. High time I got back to it.
To see more in this series begun last year, click here and scroll down (there's quite a few). I have no excuse for focusing so hard on his gaze apart from being forever in love with expressive eyes.
"Under the Influence" Oil pastel on toned paper. 2017.
One of the artists I adore the most is having an exhibit open this week at the Chrysler Museum, so of course that got me in the mood for a drawing. Under the influence of Toulouse-Lautrec.