For a long time with my art I was concerned with subject matter. I didn't know what I wanted to paint, and over the years I've honed in on what I like: nature, mostly, architecture, and people, sometimes, but not in an academic realism sense. As you can see in my abstract limbs series I focus on representations of people and their suggested actions, asking you to look long enough to decode its imagery. Now I've come to the point where I know what I like to paint and I'm trying to push myself in technique. I've recognized I own a duality that, on the one side, causes me to obsess over accuracy, and on the other, an emotive side that wants things looser and more gestural. With each piece I've been working on lately I've been focusing on getting the grander image accurate and the details more instinctual. Trusting your gut is a terrifying business. Refining these two forces that pull in opposite directions is what I'll be working on this year, and here are a few of the pieces that have come of it so far.
Sometimes (most times) I really miss the Aegean Sea. This is Livadia beach on Anti-Paros. Gouache watercolor on Cartiera Magnani paper.
Needed a break from all the holiday work to create for myself. Out came this little guy. I don't know why, but recently I'm very interested in revisiting my time spent in Venice. I guess I just miss that lovely, lively water.
My hallway into our guest bedroom, aka, The Chill Chamber, aka, La Jolla, aka, whatever we decide to call it each day. Gouache on paper.