For once! I’m prepping and ready for inktober this year. If you’ve never heard of inktober, click here. Essentially it’s an exercise artists can participate in to challenge and push their skills in inking and design. I absolutely love it as I work in a fully black and white format and it informs my choices and spurs growth in my style very quickly. It’s also insanely exhausting. Last year I burned out (and my marker quit) after about eight days. One reason for this is that I work within the tight bounds of a very specific theme. It’s a darkly magical, Faustian, mysterious theme. It’s a flip side of my personality and interests, and one I can only fully delve into in such intensity for so long. The month long format of inktober is a perfect frame of time, but still not one I’ve ever successfully completed. This year I’m working not only to complete the 31 days but to push the complexity of my narrative, line work and composition, something I’m able to do thanks to the outrageously amazing app Procreate. Working digitally this year will allow me to experiment more freely without losing years of my life by - quite literally - going back to the drawing board when working out compositions. As a sneak peek teaser here are the first two pieces I’ve completed ahead of the start of the inktober challenge, and if you’d like to see more of this narrative you can click here to go to my Dark Mysteries gallery. If you want to follow along, each day of October I’ll be posting one of these to my Instagram & Steller pages. There I’ll also be posting time lapse videos of these pieces so you can see how they came together, which I think is a pretty awesome aspect of working digitally, as well as background details about pieces that unlock more of the symbolism. There’s more than meets the eye in a lot of these. Hope to see you there!
I don’t often draw people. Couldn’t tell you why, I find people insanely fascinating on so many levels, but it just takes a lot for a face to catch my eye and compel me to draw it. I’m working on changing that by getting some digital drawings together of faces I find intriguing - that all seem to be coming from the vintage fashion loving crowd. (Perhaps this has something to do with my love of Mucha’s ornately attired women.) This is burlesque performer Dandy Dillinger.
I couldn't tell you if it's the weather or just a new pace my life is taking, but I'm embracing the slowdown as I let ideas simmer. In the meantime, here's another digital piece inspired by Mughal carpet designs, the scent of flowers on a warm wind, and one of my favorite colors - persimmon.
I don't remember the first time I saw Turner's abstract atmospheric paintings, but I do remember how they made me feel. It was like a lightening bolt - they woke me up. The energy in them is insane. I particularly love Nocturne Black and Gold: the Falling Rocket, and Fishermen at Sea. My worship of a stormy sea rolls deep, and so here is a little digital painting in the vein of Turner.
Some new digital work happening now that I was able to get Procreate back into my process. What a relief, it's such an amazing asset to have for working on the fly, for figuring out new ideas, or just practicing techniques. It's so important to my work flow that I'm really going to be able to kick it into overdrive now, and I could not be happier.