“Cove at Midday” Lauren Elyse S, 2021. Oils on clayboard.
Literally. Finally got out to plein air with my new, lightweight set up yesterday. Could’ve done without the sand wasps about my ankles.
“Cove at Midday” Lauren Elyse S, 2021. Oils on clayboard.
Literally. Finally got out to plein air with my new, lightweight set up yesterday. Could’ve done without the sand wasps about my ankles.
“Reaching into the Void” digital illustration, Lauren Elyse S, 2020
Don’t ask me, I don’t even know anymore. This year has broken open my brain and weird things are coming out. Letting everything take shape rather than trying to bend it to my will has been a really strange process. Gonna let it ride because, why not?
There’s a good chance if you fall asleep around me you’ll wake up with a portrait of your slumbering.
There’s something distinctly sensual about working with paint. I think it has a lot to do with its lush fluidity. To be a painter, it is my opinion, you're usually some shade of hedonistic.
There's near nothing - for me - more pleasurable than a flower rendered in oils in luxurious strokes. I like to paint my flowers in one pass rather than layered with drying time in between - linseed oil added for that extra gloss and movement. For me it creates a more energetic feel when swipes of paint slide through one another, catch and meld to bring out a subtle color blend, and in the wake leaves the high relief and impression of my brush's intentional path. It's definitely trickier to prevent colors from muddling in this approach, but the reward is that of a painted flower vibrating a bit more on the canvas. Though more punishing in practice, I love a little chaotic, purposeful energy distilled into pigment, worked through to figured petal and leaf.
Detail: “Other People’s Lives” oil on canvas.
Detail: “Other People’s Lives” oil on canvas.
Oil on panel, 2019
Question: can an artist base their entire career on paintings of candles?
Inktober aims.
Apothecary’s Darling. 2018, digital
Be Wary What You’ll Find. 2018, digital
"Melt" digital painting, 2018.
Here's a piece inspired by Mughal carpet designs, the scent of flowers on a warm wind.
"Turner-esque Nocturne" Digital Painting by Lauren Elyse S. 2018.
I don't remember the first time I saw Turner's abstract atmospheric paintings, but I do remember how they made me feel. It was like a lightening bolt - they woke me up. The energy in them is insane. I particularly love Fishermen at Sea and, related in style, Whistler’s Nocturne Black and Gold: The Falling Rocket. My worship of a stormy sea rolls deep, and so here is a little digital painting in the vein of Turner with a mind towards Whistler.
So it's years overdue, but I've finally got the proper camera to clearly photograph my work - so this means, prints! I'm especially thrilled because now I can share with you my favorite paintings I've done. Pick up prints in my shop.
"Other People's Lives" Click the photo to grab the print!
"Mind vs Mouth" Click the photo to grab the print!
"Two Ends of the Sea" Acrylic and oil on canvas panel, 2017.
Back to this. More coming this winter as I force myself into hibernation (my preferred state of being, to be honest.)
Trying to see it through the whole 30 days of inktober this time around. Here's the last week - didn't mean to, but I think I've hit on a theme here. Let's see where it goes?
"I keep coming back" Ink & watercolor on paper, 2017.
On the opposite coast, take two.
Been about a year since I was totally bent on Brando's intense gaze. High time I got back to it.
To see more in this series begun last year, click here and scroll down (there's quite a few). I have no excuse for focusing so hard on his gaze apart from being forever in love with expressive eyes.
Another plein air piece from the Norfolk Botanical Gardens in preparation for an upcoming spring show. This one was a serious challenge with the composition and the tricky lighting that was changing so rapidly as I painted, but it was well worth the effort. (Frozen solid hands and all.)
When your brain and your mouth can't agree on what's going on.
"Mind vs Mouth" Acrylic & oil on canvas board, 2016.
The stories this garden tells, I want to know them all. Two new plein air pieces from the past few weeks at the Norfolk Botanical Gardens.
"Sitting in the Zinnia Patch" 2015. Oil on canvas board.
SOLD
"Fall by the Fountain" 2015. Oil on canvas board.