LA > Chi Town > Philly & Back Again

Recently found myself on a train rolling back and forth across the country, so of course I had to document it the best way I know how. Did a digital sketchbook as it’s easier to carry a stylus and iPad than an entire paints set (also, I’ve ruined more physical sketchbooks traveling than I care to remember), so here’s the results. I can’t even begin to describe how difficult it is to sketch while being steadily jostled on a train for hours on end, so while I wish I’d done more sketches during my time spent back east, the protracted concentration needed to create these pieces on the journey demanded I give it a rest - until I was on the return trip with lots of time on my hands. (click the image below to view.)

Gene

“Gene” digital illustration, 2019. Done on Procreate.

“Gene” digital illustration, 2019. Done on Procreate.

While you’re busy letting thoughts for new work fully form, you mess around with digital. Or, at least that’s what I do. I have two paintings in my head that aren’t ready for canvas so here’s an illustration I did based off one of my favorite photos of Gene Kelly. Because, Gene Kelly.

Switch / Positions

I was telling someone today how weird it is to be the creator of such overtly erotic art when that’s never what I set out to do. Way back when I began creating these pieces I was really mostly interested in spacial arrangement and the challenge of conveying an idea with only pieces of information. It didn’t take long, though, until I embraced what it is these entangled limbs represent, and I really like putting these little sexy people puzzles together. They’re a challenge both for me to create and for you to decode and visualize what’s missing / the mechanics of how it works.

These two started out as one idea from a spontaneous sketch, but as I worked into the wee hours of the morning wrestling with foreshortening, angles, overall positioning (I did these with zero references) one became two. Maybe if I’m feeling really ambitious I’ll create a series of illustrations bridging the divide between these two positions so it can be a flip book/gif/mini animation. We’ll see.

“Switch” digital illustration, Lauren Elyse S. 2019

“Switch” digital illustration, Lauren Elyse S. 2019

“Positions” digital illustration, Lauren Elyse S. 2019

“Positions” digital illustration, Lauren Elyse S. 2019

Happy Accidents

“Midnight” digital illustration, 2019. Lauren Elyse S.

“Midnight” digital illustration, 2019. Lauren Elyse S.

Nothing in my work flow ever seems to go to plan. Got set up last night to figure out the final elements of a painting I’m working on when flipping through my inspiration folder brought up a photo of a face. I started mindlessly sketching to get in the flow and then this illustration happened. Didn’t get anything done for the painting. Oh well. That’s how it goes sometimes. You need to listen to the muse and not fight it, I’m not upset about it. I rarely have the interest to draw people - couldn’t tell you why. Perhaps an over saturation of faces in art leaves me wanting to focus on other things, but once in a while I’ll see a face that makes me want to create.

Roaring

“Roaring” digital drawing done on procreate. 2018.

“Roaring” digital drawing done on procreate. 2018.

I don’t often draw people. Couldn’t tell you why, I find people insanely fascinating on so many levels, but it just takes a lot for a face to catch my eye and compel me to draw it. I’m working on changing that by getting some digital drawings together of faces I find intriguing - that all seem to be coming from the vintage fashion loving crowd. (Perhaps this has something to do with my love of Mucha’s ornately attired women.) This is burlesque performer Dandy Dillinger.