Inktober 2017

Trying to see it through the whole 30 days of inktober this time around. Here's the last week - didn't mean to, but I think I've hit on a theme here. Let's see where it goes?

If you want to follow along with my daily drawings, my Instagram is where it's at. (Where's day one you ask? Good question. You'll have to get to my Instagram to see the time lapse of it. It's a bit NSFW)

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California, take two.

"I keep coming back" Ink & watercolor on paper, 2017.

"I keep coming back" Ink & watercolor on paper, 2017.

 

It's been about seven years but I'm back in California and I'm pretty stoked about it. Sorry for the silence, the move was a three month long odyssey. So anyway, here's some new work.

 

Back to Brando

Been about a year since I was totally bent on Brando's intense gaze. High time I got back to it.

 

 

To see more in this series begun last year, click here and scroll down (there's quite a few). I have no excuse for focusing so hard on his gaze apart from being forever in love with expressive eyes.

Two Thousand & Seventeen

It's always a good thing when the first piece you finish in a new year turns out to be something you absolutely love.

"Silk Stockings" Watercolor, charcoal & ink on paper. 2017. SOLD

"Silk Stockings" Watercolor, charcoal & ink on paper. 2017. SOLD

Mind vs. Mouth

When your brain and your mouth can't agree on what's going on.

"Mind vs Mouth" Acrylic & oil on canvas board, 2016.

"Mind vs Mouth" Acrylic & oil on canvas board, 2016.

In the Ancient Maze

Needed a break from all the holiday work to create for myself. Out came this little guy. I don't know why, but recently I'm very interested in revisiting my time spent in Venice. I guess I just miss that lovely, lively water.

"In the Ancient Maze" Gouache and acrylic on 5x7" pine panel. 2015.

"In the Ancient Maze" Gouache and acrylic on 5x7" pine panel. 2015.