Hedonistic Delights

Detail: Flower in a current work in progress commission.

Detail: Flower in a current work in progress commission.

Detail: Flower in a current work in progress commission.

Detail: Flower in a current work in progress commission.

There’s something distinctly sensual about working with paint. I think it has a lot to do with its lush fluidity. To be a painter, it is my opinion, you're usually some shade of hedonistic.

There's near nothing - for me - more pleasurable than a flower rendered in oils in luxurious strokes. I like to paint my flowers in one pass rather than layered with drying time in between - linseed oil added for that extra gloss and movement. For me it creates a more energetic feel when swipes of paint slide through one another, catch and meld to bring out a subtle color blend, and in the wake leaves the high relief and impression of my brush's intentional path. It's definitely trickier to prevent colors from muddling in this approach, but the reward is that of a painted flower vibrating a bit more on the canvas. Though more punishing in practice, I love a little chaotic, purposeful energy distilled into pigment, worked through to figured petal and leaf.

Detail: “Other People’s Lives” oil on canvas.

Detail: “Other People’s Lives” oil on canvas.

Detail: “Other People’s Lives” oil on canvas.

Detail: “Other People’s Lives” oil on canvas.

LA > Chi Town > Philly & Back Again

Recently found myself on a train rolling back and forth across the country, so of course I had to document it the best way I know how.

I can’t even begin to describe how difficult it is to sketch while being steadily jostled on a train for hours on end.

Click any image to enlarge.

The Stormy Sea at Night

"Turner-esque Nocturne" Digital Painting by Lauren Elyse S. 2018.

I don't remember the first time I saw Turner's abstract atmospheric paintings, but I do remember how they made me feel. It was like a lightening bolt - they woke me up. The energy in them is insane. I particularly love Fishermen at Sea and, related in style, Whistler’s Nocturne Black and Gold: The Falling Rocket. My worship of a stormy sea rolls deep, and so here is a little digital painting in the vein of Turner with a mind towards Whistler.

Twenty Sixteen

I can't remember the last time I was so excited for a new year! I've got a lot in the works, and one of the projects I started nearly at the stroke of midnight on the 31st of 2015 is this:

"Wandering Meadow #1" Acrylic on 6 wood panels, 2015. SOLD

"Wandering Meadow #1" Acrylic on 6 wood panels, 2015. SOLD

"Wandering Meadow" #2 SOLD

"Wandering Meadow" #2 SOLD

"Wandering Meadow" #2 SOLD

"Wandering Meadow" #2 SOLD

"Wandering Meadow" #2 SOLD

"Wandering Meadow" #2 SOLD

If I could realize this dream in large scale it would be that of a long wall stretching out of sight with carefully arranged canvases telling the small stories that a sprawling meadow keeps to itself.